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In this highly original and much-anticipated ethnography, Anna Tsing challenges not only anthropologists and feminists but all those who study culture to reconsider some of their dearest assumptions. By choosing to locate her study among Meratus Dayaks, a marginal and marginalized group in the deep rainforest of South Kalimantan, Indonesia, Tsing deliberately sets into motion the familiar and stubborn urban fantasies of self and other. Unusual encounters with her remarkably creative and unconventional Meratus friends and teachers, however, provide the opportunity to rethink notions of tradition, community, culture, power, and gender--and the doing of anthropology. Tsing's masterful weaving of ethnography and theory, as well as her humor and lucidity, allow for an extraordinary reading experience for students, scholars, and anyone interested in the complexities of culture.
Engaging Meratus in wider conversations involving Indonesian bureaucrats, family planners, experts in international development, Javanese soldiers, American and French feminists, Asian-Americans, right-to-life advocates, and Western intellectuals, Tsing looks not for consensus and coherence in Meratus culture but rather allows individual Meratus men and women to return our gaze. Bearing the fruit from the lively contemporary conversations between anthropology and cultural studies, In the Realm of the Diamond Queen will prove to be a model for thinking and writing about gender, power, and the politics of identity.
- Sales Rank: #181612 in Books
- Brand: Brand: Princeton University Press
- Published on: 1993-11-01
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .82" w x 6.14" l, 1.09 pounds
- Binding: Paperback
- 368 pages
- Used Book in Good Condition
From Booklist
Tsing ventured to Indonesia to study the Meratus Dayaks. After years of research devoted to knowing more about their lives in a South Kalimantan rain forest, Tsing has produced a densely worded study that manages to incorporate a lively perspective on gender issues, as well as examine the interactions between the remote group and powerful Indonesian officials who govern. Her interests also led Tsing to spend time with a female leader regarded as a shaman, Oma Adang. In sharing her knowledge of the culture and many of its individuals, Tsing reveals a great deal about the Meratus Dayak. But even more, in her passionate reprise at book's end she creates amazingly effective links between the diverse cultures of the West and those of the Far East. Alice Joyce
Review
Winner of the 1994 Harry J. Benda Prize, Southeast Asia Council of the Association for Asian Studies
Honorable Mention for the 1994 Victor Turner Prize in Ethnographic Writing, Society for Humanistic Anthropology and American Anthropological Association
One of Choice's Outstanding Academic Titles for 1994
From the Back Cover
"A loosely organized group of mountain people in southeastern Kalimantan ... [is the topic of Tsing's fieldwork in what is] perhaps the most detailed and certainly the most self-conscious examination of marginalization yet to appear."--New York Review of Books
"This is a book that is as rich in human warmth as it is technically innovative."--Amitav Ghosh
Most helpful customer reviews
0 of 10 people found the following review helpful.
Literally the worst book ever written.
By Tommy guynes
Literally the worst book ever written. Do yourself a favor and withdrawal yourself from the class if your professor is idiotic enough to require you to read this. I used it to start a fire the day I finished it.
16 of 26 people found the following review helpful.
Manages to hook together several ethnographic schools.
By A Customer
I found Tsing's book to be very informative about the Meratus culture of Indonesia, as well as very pertinent to the recent battling between the postmodernist and femminist thought schools within ethnographic literature. She manages to use a combination of more traditional Enlightment techniques (statistics, generalizations, strong authoratative voice) as well as postmodernist techniques (polyvocality, poetry, socio-historical context for the culture, relativism to its surroundings). The reading is easy, and fun, because she puts a bit of emotion in her book too. Overall, I think it is an important contribution to the ethnographic literary circle.
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