Saturday, October 11, 2014

[Y982.Ebook] Download Ebook I Am The Wind (Young Vic), by Simon Stephens, Jon Fosse

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I Am The Wind (Young Vic), by Simon Stephens, Jon Fosse

I Am The Wind (Young Vic), by Simon Stephens, Jon Fosse



I Am The Wind (Young Vic), by Simon Stephens, Jon Fosse

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I Am The Wind (Young Vic), by Simon Stephens, Jon Fosse

The wind gathers, rising up suddenly.

Two men on a fragile boat, a trip to sea – a few drinks, a bite to eat – when one of them decides to push on to the open ocean. Suddenly there they are: among the distant islands, the threatening fog and gathering swell of the sea, bound together on an odyssey into the unknown.

Jon Fosse’s work includes novels, poetry, essays and books for children. He is one of the most produced playwrights in Europe and his plays have been translated into forty languages. Oberon Books publishes Nightsongs and The Girl on the Sofa, and his other plays in the following collections:Plays One, Plays Two, Plays Three, Plays Four and Plays Five. Plays Six is forthcoming in 2013.Oberon Books also publishes The Luminous Darkness: The Theatre of Jon Fosse by Leif Zern (translated by Ann Henning-Jocelyn).

  • Sales Rank: #1401832 in eBooks
  • Published on: 2012-07-31
  • Released on: 2012-07-31
  • Format: Kindle eBook

Review
“[an] outstanding version… This is a high point of the Young Vic’s 40th anniversary season.”—The Stage

“Fosse jettisons all the conventional rules of drama… seems like a meditation on language… the play grips because it appeals to something fundamental: it shows two cornered human beings in an extreme situation and demonstrates the power of love. [a] hypnotic production... cryptically haunting” 4 stars Michael Billington—The Guardian

“[it] exerts a beguiling, hypnotic pull… [the [production is] unusual, extraordinary, weird, and beautiful… must see” 4 stars - Michael Coveney—whatsonstage.com

“Fosse’s subject is the human condition, and this sparsely written play pares down the question of existence to its bare essentials… Chéreau’s production is a masterclass in minimalism, perfectionism and maybe a dozen other isms. Who cares? It tells Fosse’s story wonderfully well… colloquial and poetic.. Go on, give it a go!”—The Arts Desk

About the Author
Simon Stephens began his theatrical career in the literary department of the Royal Court Theatre, where he ran its Young Writers' Programme. His plays for theatre include Bluebird (Royal Court Theatre, London, 1998, directed by Gordon Anderson); "Herons "(Royal Court Theatre, 2001); "Port "(Royal Exchange Theatre, Manchester, 2002); "One Minute" (Crucible Theatre, Sheffield, 2003 and Bush Theatre, London, 2004); "Christmas "(Bush Theatre, 2004); "Country Music" (Royal Court Theatre Upstairs, 2004); "On the Shore of the Wide World" (Royal Exchange Theatre and National Theatre, London, 2005); Motortown (Royal Court Theatre Downstairs, 2006); "Pornography "(Deutsches Schauspielhaus, Hanover, 2007; Edinburgh Festival/Birmingham Rep, 2008 and Tricycle Theatre, London, 2009);" Harper Regan" (National Theatre, 2008); "Sea Wall "(Bush Theatre, 2008/Traverse Theatre, Edinburgh, 2009); "Heaven "(Traverse Theatre, 2009); "Punk Rock" (Lyric Hammersmith, London, and Royal Exchange Theatre, 2009); "The Trial of Ubu "(Essen Schauspielhaus/Toneelgroep Amsterdam, 2010); "A Thousand Stars Explode in the Sky "(co-written with David Eldridge and Robert Holman; Lyric Hammersmith, London, 2010); "Marine Parade" (co-written with Mark Eitzel; Brighton International Festival, 2010); T5 (Traverse Theatre, 2010); "Wastwater "(Royal Court Theatre Downstairs, 2011); "Morning "(Lyric Hammersmith, 2012); an adaptation of" A Doll's House ("Young Vic, 2012); an adaptation of "The Curious Incident of the Dog in the Night-Time" (National Theatre, 2012); "Blindsided "(Royal Exchange, 2014); and "Birdland "(Royal Court, 2014). His radio plays include "Five Letters Home to Elizabeth" (BBC Radio 4, 2001) and "Digging" (BBC Radio 4, 2003). His screenwriting includes an adaptation of Motortown for Film4 (2009); the two-part serial "Dive "(with Dominic Savage) for Granada/BBC (2009); and a short film adaptation of "Pornography "for Channel 4's 'Coming Up' series (2009). Awards include the Pearson Award for Best New Play, 2001, for " Port"; Olivier Award for Best New Play for "On the Shore of the Wide World", 2005; and for "Motortown "German critics in Theater Heute's annual poll voted him Best Foreign Playwright, 2007.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Great for Beckett/Pinter fans
By William R. Shadbolt
Jon Fosse is the world’s most performed living playwright, and translations of almost all his plays are available in English, but for whatever reason, he has never caught on in the English-speaking world.

With sparse dialogue reminiscent of Beckett and Pinter, this is not a play for everyone. It features two characters, The One and The Other, in a small boat in an unnamed body of water, and most of the play consists in just them talking. Their talk, ridden with pauses and unfinished thoughts, might frustrate those who want them to come right out and say what is on their mind, but that is one of the play’s big themes: the inadequacy of language.

Readers more action-minded will be pleased to know that the characters do not sit around waiting for the whole play. There is a chilling event that brings the short text to its conclusion, which, to avoid spoilers, I will not say much about other than it puts a new light on the preceding dialogue.

I must emphasize again that this is not for everybody, but for anyone who ever enjoyed Beckett or similar writers, this is a real treat. Most of Jon Fosse’s plays are collected in volumes containing 5 or 6 plays; this is one of the few standalones. For those who want to try out Fosse but do not want to commit to a handful of works, this text is great. It is a shame Fosse is not more well known over here, although with him now being mentioned as a possible future Nobel laureate, perhaps that will soon change.

0 of 11 people found the following review helpful.
I should need ...
By vandamonaco
Before buying I am the Wind I need to know from which language the play is translated into English. Thanks.

See all 2 customer reviews...

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